Inspired by a vision of bringing artists and craftsmen together to start a movement in art which would change the future of the world, Water Gropius opened the doors to Bauhaus . The year was 1919 when Gropius founded Staatliches Bauhaus Weimar. Germany was bankrupt after a devastating World War I and the younger generation was eager to make positive changes. “Architects, painters, sculptors, we must all return to crafts! For there is no such thing as “professional art”. There is no essential difference between the artist and the craftsman. The artist is an exalted craftsman. By the grace of Heaven and in rare moments of inspiration which transcend the will, art may unconsciously blossom from the labour of his hand, but a base in handicrafts is essential to every artist. It is there that the original source of creativity lies. Let us therefore create a new guild of craftsmen without the class-distinctions that raise an arrogant barrier between craftsmen and artists! Let us desire, conceive, and create the new building of the future together. It will combine architecture, sculpture, and painting in a single form, and will one day rise towards the heavens from the hands of a million workers as the crystalline symbol of a new and coming faith.” — Walter Gropius Gropius named the school Bauhaus, which is the transliteration for building house, but according to the Bauhaus-Universität Weimar, it stands for “an eagerness to experiment, openness, creativity, a close link to industrial practice and inter-nationality.” We hope you too can experiment with the creativity of art and be inspired by the Bauhaus movement. Please visit the sites of the artists and sources by clicking on the images or titles. You may want to take a look at the following related posts: Lessons From Swiss Style Graphic Design Vintage and Retro Typography Showcase Retro Futurism At Its Best: Designs and Tutorials Breathtaking Typographic Posters Bauhaus The School and The Style Every generation seems to have extreme changes which influence life one way or another. Even though contemporary styles had come into play before Gropius opened the school, the Bauhaus movement was considered a radical step towards modernism. During the 14 years of existence, Bauhaus was operational in three separate locations: Weimer, Germany from 1919 – 1925, Dessau, Germany from 1925 – 1932, and Berlin, Germany from 1932 – 1933. With each move of the school, some programs were added while some dropped. It was required for all students to complete a preliminary course covering theoretical aspects and practical perspectives before continuing onto the specialized workshops. Bauhaus Dessau Principles of Teaching at Bauhaus Bauhaus and The Master Instructors Bauhaus selected some of the best talent from each trade to become Master Instructors. Not only did they teach the student, they motivated and inspired. L-R: Josef Albers, Hinnerk Scheper, Georg Muche, László Moholy-Nagy, Herbert Bayer, Joost Schmidt, Walter Gropius, Marcel Breuer, Vassily Kandinsky, Paul Klee, Lyonel Feininger, Gunta Stölzl and Oskar Schlemmer Josef Albers, a Master Art Instructor at Bauhaus once said, “Each color has different properties both as color and as buttery paste. Each has a different density; in spite of this, I want them all to behave; to do what I want and not what they want… One must taste and taste in order to cook just right… Until one has the experience of knowing he is being fooled by color, one cannot be expected to be very careful to look at things inquiringly. Only comparison entitles one to evaluation… I want to imbue others with my delight in the endless possibilities for new color experiences.” Bauhaus in Art (paintings and drawings) During this era, Kandinsky was best known for his geometric shapes in his art work.

  Inspired by a vision of bringing artists and craftsmen together to start a movement in art which would change the future of the world, Water Gropius opened the doors to Bauhaus . The year was 1919 when Gropius founded Staatliches Bauhaus Weimar. Germany was bankrupt after a devastating World War I and the younger generation was eager to make positive changes. “Architects, painters, sculptors, we must all return to crafts! For there is no such thing as “professional art”. There is no essential difference between the artist and the craftsman. The artist is an exalted craftsman. By the grace of Heaven and in rare moments of inspiration which transcend the will, art may unconsciously blossom from the labour of his hand, but a base in handicrafts is essential to every artist. It is there that the original source of creativity lies. Let us therefore create a new guild of craftsmen without the class-distinctions that raise an arrogant barrier between craftsmen and artists! Let us desire, conceive, and create the new building of the future together. It will combine architecture, sculpture, and painting in a single form, and will one day rise towards the heavens from the hands of a million workers as the crystalline symbol of a new and coming faith.” — Walter Gropius Gropius named the school Bauhaus, which is the transliteration for building house, but according to the Bauhaus-Universität Weimar, it stands for “an eagerness to experiment, openness, creativity, a close link to industrial practice and inter-nationality.” We hope you too can experiment with the creativity of art and be inspired by the Bauhaus movement. Please visit the sites of the artists and sources by clicking on the images or titles. You may want to take a look at the following related posts: Lessons From Swiss Style Graphic Design Vintage and Retro Typography Showcase Retro Futurism At Its Best: Designs and Tutorials Breathtaking Typographic Posters Bauhaus The School and The Style Every generation seems to have extreme changes which influence life one way or another. Even though contemporary styles had come into play before Gropius opened the school, the Bauhaus movement was considered a radical step towards modernism. During the 14 years of existence, Bauhaus was operational in three separate locations: Weimer, Germany from 1919 – 1925, Dessau, Germany from 1925 – 1932, and Berlin, Germany from 1932 – 1933. With each move of the school, some programs were added while some dropped. It was required for all students to complete a preliminary course covering theoretical aspects and practical perspectives before continuing onto the specialized workshops. Bauhaus Dessau Principles of Teaching at Bauhaus Bauhaus and The Master Instructors Bauhaus selected some of the best talent from each trade to become Master Instructors. Not only did they teach the student, they motivated and inspired. L-R: Josef Albers, Hinnerk Scheper, Georg Muche, László Moholy-Nagy, Herbert Bayer, Joost Schmidt, Walter Gropius, Marcel Breuer, Vassily Kandinsky, Paul Klee, Lyonel Feininger, Gunta Stölzl and Oskar Schlemmer Josef Albers, a Master Art Instructor at Bauhaus once said, “Each color has different properties both as color and as buttery paste. Each has a different density; in spite of this, I want them all to behave; to do what I want and not what they want… One must taste and taste in order to cook just right… Until one has the experience of knowing he is being fooled by color, one cannot be expected to be very careful to look at things inquiringly. Only comparison entitles one to evaluation… I want to imbue others with my delight in the endless possibilities for new color experiences.” Bauhaus in Art (paintings and drawings) During this era, Kandinsky was best known for his geometric shapes in his art work. Using circles, squares, triangles, zig-zags, and blocks, he was able to visually express his creativity.

  Inspired by a vision of bringing artists and craftsmen together to start a movement in art which would change the future of the world, Water Gropius opened the doors to Bauhaus . The year was 1919 when Gropius founded Staatliches Bauhaus Weimar. Germany was bankrupt after a devastating World War I and the younger generation was eager to make positive changes. “Architects, painters, sculptors, we must all return to crafts! For there is no such thing as “professional art”. There is no essential difference between the artist and the craftsman. The artist is an exalted craftsman. By the grace of Heaven and in rare moments of inspiration which transcend the will, art may unconsciously blossom from the labour of his hand, but a base in handicrafts is essential to every artist. It is there that the original source of creativity lies. Let us therefore create a new guild of craftsmen without the class-distinctions that raise an arrogant barrier between craftsmen and artists! Let us desire, conceive, and create the new building of the future together. It will combine architecture, sculpture, and painting in a single form, and will one day rise towards the heavens from the hands of a million workers as the crystalline symbol of a new and coming faith.” — Walter Gropius Gropius named the school Bauhaus, which is the transliteration for building house, but according to the Bauhaus-Universität Weimar, it stands for “an eagerness to experiment, openness, creativity, a close link to industrial practice and inter-nationality.” We hope you too can experiment with the creativity of art and be inspired by the Bauhaus movement. Please visit the sites of the artists and sources by clicking on the images or titles. You may want to take a look at the following related posts: Lessons From Swiss Style Graphic Design Vintage and Retro Typography Showcase Retro Futurism At Its Best: Designs and Tutorials Breathtaking Typographic Posters Bauhaus The School and The Style Every generation seems to have extreme changes which influence life one way or another. Even though contemporary styles had come into play before Gropius opened the school, the Bauhaus movement was considered a radical step towards modernism. During the 14 years of existence, Bauhaus was operational in three separate locations: Weimer, Germany from 1919 – 1925, Dessau, Germany from 1925 – 1932, and Berlin, Germany from 1932 – 1933. With each move of the school, some programs were added while some dropped. It was required for all students to complete a preliminary course covering theoretical aspects and practical perspectives before continuing onto the specialized workshops. Bauhaus Dessau Principles of Teaching at Bauhaus Bauhaus and The Master Instructors Bauhaus selected some of the best talent from each trade to become Master Instructors. Not only did they teach the student, they motivated and inspired. L-R: Josef Albers, Hinnerk Scheper, Georg Muche, László Moholy-Nagy, Herbert Bayer, Joost Schmidt, Walter Gropius, Marcel Breuer, Vassily Kandinsky, Paul Klee, Lyonel Feininger, Gunta Stölzl and Oskar Schlemmer Josef Albers, a Master Art Instructor at Bauhaus once said, “Each color has different properties both as color and as buttery paste. Each has a different density; in spite of this, I want them all to behave; to do what I want and not what they want… One must taste and taste in order to cook just right… Until one has the experience of knowing he is being fooled by color, one cannot be expected to be very careful to look at things inquiringly. Only comparison entitles one to evaluation… I want to imbue others with my delight in the endless possibilities for new color experiences.” Bauhaus in Art (paintings and drawings) During this era, Kandinsky was best known for his geometric shapes in his art work. Using circles, squares, triangles, zig-zags, and blocks, he was able to visually express his creativity. One of his favorite shapes was the circle as you’ll notice in much of his work. He found more inner potential in the circle than with the other shapes. His most important piece while at Weimer was the ‘Yellow Red Blue’ from 1925 when he used the three primary colors to show the complex diversity within the color relationship. While all of Bauhaus’ Master Instructors were amazing and all had their own unique style, they appeared to have much interest in color theory. “Color has taken possession of me; no longer do I have to chase after it. I know that it has hold of me forever… Color and I are one. I am a painter”. –Paul Klee Gelb Rot Blau by Wassily Kandinsky “Swinging” by Wassily Kadinsky Black Relationship by Wassily Kandinsky Black Frame by Wassily Kandinsky Bauhaus Style Design Gravitation by Wassily Kandinsky Contrasting Sounds by Wassily Kandinsky Small Worlds II by Wassily Kandinsky Homage to Wassily Kandinsky Colors by Maureen Bond Howling Dog c.1928 by Paul Klee Schlangenbeute c.1926 by Paul Klee Stachel der Clown 1931 by Paul Klee They’re Biting (1920) by Paul Klee El Lissitzky “Proun” Bauhaus Inspiration by AlexioLex Ballet Costume Models Bauhaus in Typography It wasn’t until the summer of 1923 when a poster was made for the school that intrigued others to notice the unique typeset and design. Effective visual communication was a main focus when designing. You will see a balanced layout, vibrant colors, harmony, geometric shapes strong bars, bold and universal type. Using upper case or lower case fonts, but not a combination of the two, the typeset was clear and concise. The type was laid out in various ways. In addition to being horizontal and vertical orientation, Bauhaus is well-known for placing text at angles and also wrapping text around objects. As the legacy continues, Bauhaus style typography is still used in modern day designs and posters. You will find their style on album covers, posters for movies, events, and signage. One of the most notable was a print designed for the Obama Presidential Campaign, a rally which was held in Berlin. It’s only a speculation, but using the Bauhaus influenced design could have been Obama’s way to show respect and appreciation for the people and the country. Advertising Bauhaus Style Leaflet design by László Moholy-Nagy Wassily Kandinsky Post Card c.1923 Poster Art by El Lissitzky Bauhaus 93 Bauhaus (Cartel infográfico) Escuela Suiza Bauhaus Inspired The “a” from Bauhaus Bauhaus Inspired Pioneers of Modern Typography Obama Influenced by Bauhaus Android Background Futurism Poster EL Poster by Seany Mac Bauhaus Inspired by Curse of the Moon AG Ideas by Matthew D. Jones Bauhaus Inspired Poster Bauhaus Inspired Concert Poster Reflections Utopia Bauhaus Nude by Sharkaholic Niendorf Store Signage Where Form Meets Function by Danakaita Bauhaus Redneck by Sir Rudolph Where Form Meets Function by Danakaita Joost Schmidt Inspired Poster Charlie Chaplin Bauhaus Style Nejmensi Dum Ocean’s Twelve Poster Bauhaus Inspired Design Die Kameliendame Euro Inspired by Bauhaus Lissitzky Inspired Poster PREIS LIST No. 2 Merz Magazine Cover by El Lissitzky El Lissitzky El Lissitzky “Chad Gadya” by El Lissitzky 75 Years Bauhaus Designs Deutschland Stamp Deutschland Stamp Deutschland Stamp Deutschland Stamp Deutchland Stamp Inspiration Bauhaus Style

  Inspired by a vision of bringing artists and craftsmen together to start a movement in art which would change the future of the world, Water Gropius opened the doors to Bauhaus . The year was 1919 when Gropius founded Staatliches Bauhaus Weimar. Germany was bankrupt after a devastating World War I and the younger generation was eager to make positive changes. “Architects, painters, sculptors, we must all return to crafts! For there is no such thing as “professional art”. There is no essential difference between the artist and the craftsman. The artist is an exalted craftsman. By the grace of Heaven and in rare moments of inspiration which transcend the will, art may unconsciously blossom from the labour of his hand, but a base in handicrafts is essential to every artist. It is there that the original source of creativity lies. Let us therefore create a new guild of craftsmen without the class-distinctions that raise an arrogant barrier between craftsmen and artists! Let us desire, conceive, and create the new building of the future together. It will combine architecture, sculpture, and painting in a single form, and will one day rise towards the heavens from the hands of a million workers as the crystalline symbol of a new and coming faith.” — Walter Gropius Gropius named the school Bauhaus, which is the transliteration for building house, but according to the Bauhaus-Universität Weimar, it stands for “an eagerness to experiment, openness, creativity, a close link to industrial practice and inter-nationality.” We hope you too can experiment with the creativity of art and be inspired by the Bauhaus movement. Please visit the sites of the artists and sources by clicking on the images or titles. You may want to take a look at the following related posts: Lessons From Swiss Style Graphic Design Vintage and Retro Typography Showcase Retro Futurism At Its Best: Designs and Tutorials Breathtaking Typographic Posters Bauhaus The School and The Style Every generation seems to have extreme changes which influence life one way or another. Even though contemporary styles had come into play before Gropius opened the school, the Bauhaus movement was considered a radical step towards modernism. During the 14 years of existence, Bauhaus was operational in three separate locations: Weimer, Germany from 1919 – 1925, Dessau, Germany from 1925 – 1932, and Berlin, Germany from 1932 – 1933. With each move of the school, some programs were added while some dropped. It was required for all students to complete a preliminary course covering theoretical aspects and practical perspectives before continuing onto the specialized workshops. Bauhaus Dessau Principles of Teaching at Bauhaus Bauhaus and The Master Instructors Bauhaus selected some of the best talent from each trade to become Master Instructors. Not only did they teach the student, they motivated and inspired. L-R: Josef Albers, Hinnerk Scheper, Georg Muche, László Moholy-Nagy, Herbert Bayer, Joost Schmidt, Walter Gropius, Marcel Breuer, Vassily Kandinsky, Paul Klee, Lyonel Feininger, Gunta Stölzl and Oskar Schlemmer Josef Albers, a Master Art Instructor at Bauhaus once said, “Each color has different properties both as color and as buttery paste. Each has a different density; in spite of this, I want them all to behave; to do what I want and not what they want… One must taste and taste in order to cook just right… Until one has the experience of knowing he is being fooled by color, one cannot be expected to be very careful to look at things inquiringly. Only comparison entitles one to evaluation… I want to imbue others with my delight in the endless possibilities for new color experiences.” Bauhaus in Art (paintings and drawings) During this era, Kandinsky was best known for his geometric shapes in his art work. Using circles, squares, triangles, zig-zags, and blocks, he was able to visually express his creativity. One of his favorite shapes was the circle as you’ll notice in much of his work.

  Inspired by a vision of bringing artists and craftsmen together to start a movement in art which would change the future of the world, Water Gropius opened the doors to Bauhaus . The year was 1919 when Gropius founded Staatliches Bauhaus Weimar. Germany was bankrupt after a devastating World War I and the younger generation was eager to make positive changes. “Architects, painters, sculptors, we must all return to crafts! For there is no such thing as “professional art”. There is no essential difference between the artist and the craftsman. The artist is an exalted craftsman. By the grace of Heaven and in rare moments of inspiration which transcend the will, art may unconsciously blossom from the labour of his hand, but a base in handicrafts is essential to every artist. It is there that the original source of creativity lies. Let us therefore create a new guild of craftsmen without the class-distinctions that raise an arrogant barrier between craftsmen and artists! Let us desire, conceive, and create the new building of the future together. It will combine architecture, sculpture, and painting in a single form, and will one day rise towards the heavens from the hands of a million workers as the crystalline symbol of a new and coming faith.” — Walter Gropius Gropius named the school Bauhaus, which is the transliteration for building house, but according to the Bauhaus-Universität Weimar, it stands for “an eagerness to experiment, openness, creativity, a close link to industrial practice and inter-nationality.” We hope you too can experiment with the creativity of art and be inspired by the Bauhaus movement. Please visit the sites of the artists and sources by clicking on the images or titles. You may want to take a look at the following related posts: Lessons From Swiss Style Graphic Design Vintage and Retro Typography Showcase Retro Futurism At Its Best: Designs and Tutorials Breathtaking Typographic Posters Bauhaus The School and The Style Every generation seems to have extreme changes which influence life one way or another. Even though contemporary styles had come into play before Gropius opened the school, the Bauhaus movement was considered a radical step towards modernism. During the 14 years of existence, Bauhaus was operational in three separate locations: Weimer, Germany from 1919 – 1925, Dessau, Germany from 1925 – 1932, and Berlin, Germany from 1932 – 1933. With each move of the school, some programs were added while some dropped. It was required for all students to complete a preliminary course covering theoretical aspects and practical perspectives before continuing onto the specialized workshops. Bauhaus Dessau Principles of Teaching at Bauhaus Bauhaus and The Master Instructors Bauhaus selected some of the best talent from each trade to become Master Instructors. Not only did they teach the student, they motivated and inspired. L-R: Josef Albers, Hinnerk Scheper, Georg Muche, László Moholy-Nagy, Herbert Bayer, Joost Schmidt, Walter Gropius, Marcel Breuer, Vassily Kandinsky, Paul Klee, Lyonel Feininger, Gunta Stölzl and Oskar Schlemmer Josef Albers, a Master Art Instructor at Bauhaus once said, “Each color has different properties both as color and as buttery paste. Each has a different density; in spite of this, I want them all to behave; to do what I want and not what they want… One must taste and taste in order to cook just right… Until one has the experience of knowing he is being fooled by color, one cannot be expected to be very careful to look at things inquiringly. Only comparison entitles one to evaluation… I want to imbue others with my delight in the endless possibilities for new color experiences.” Bauhaus in Art (paintings and drawings) During this era, Kandinsky was best known for his geometric shapes in his art work. Using circles, squares, triangles, zig-zags, and blocks, he was able to visually express his creativity. One of his favorite shapes was the circle as you’ll notice in much of his work. He found more inner potential in the circle than with the other shapes. His most important piece while at Weimer was the ‘Yellow Red Blue’ from 1925 when he used the three primary colors to show the complex diversity within the color relationship. While all of Bauhaus’ Master Instructors were amazing and all had their own unique style, they appeared to have much interest in color theory. “Color has taken possession of me; no longer do I have to chase after it. I know that it has hold of me forever… Color and I are one. I am a painter”. –Paul Klee Gelb Rot Blau by Wassily Kandinsky “Swinging” by Wassily Kadinsky Black Relationship by Wassily Kandinsky Black Frame by Wassily Kandinsky Bauhaus Style Design Gravitation by Wassily Kandinsky Contrasting Sounds by Wassily Kandinsky Small Worlds II by Wassily Kandinsky Homage to Wassily Kandinsky Colors by Maureen Bond Howling Dog c.1928 by Paul Klee Schlangenbeute c.1926 by Paul Klee Stachel der Clown 1931 by Paul Klee They’re Biting (1920) by Paul Klee El Lissitzky “Proun” Bauhaus Inspiration by AlexioLex Ballet Costume Models Bauhaus in Typography It wasn’t until the summer of 1923 when a poster was made for the school that intrigued others to notice the unique typeset and design. Effective visual communication was a main focus when designing. You will see a balanced layout, vibrant colors, harmony, geometric shapes strong bars, bold and universal type. Using upper case or lower case fonts, but not a combination of the two, the typeset was clear and concise. The type was laid out in various ways. In addition to being horizontal and vertical orientation, Bauhaus is well-known for placing text at angles and also wrapping text around objects. As the legacy continues, Bauhaus style typography is still used in modern day designs and posters. You will find their style on album covers, posters for movies, events, and signage. One of the most notable was a print designed for the Obama Presidential Campaign, a rally which was held in Berlin. It’s only a speculation, but using the Bauhaus influenced design could have been Obama’s way to show respect and appreciation for the people and the country. Advertising Bauhaus Style Leaflet design by László Moholy-Nagy Wassily Kandinsky Post Card c.1923 Poster Art by El Lissitzky Bauhaus 93 Bauhaus (Cartel infográfico) Escuela Suiza Bauhaus Inspired The “a” from Bauhaus Bauhaus Inspired Pioneers of Modern Typography Obama Influenced by Bauhaus Android Background Futurism Poster EL Poster by Seany Mac Bauhaus Inspired by Curse of the Moon AG Ideas by Matthew D. Jones Bauhaus Inspired Poster Bauhaus Inspired Concert Poster Reflections Utopia Bauhaus Nude by Sharkaholic Niendorf Store Signage Where Form Meets Function by Danakaita Bauhaus Redneck by Sir Rudolph Where Form Meets Function by Danakaita Joost Schmidt Inspired Poster Charlie Chaplin Bauhaus Style Nejmensi Dum Ocean’s Twelve Poster Bauhaus Inspired Design Die Kameliendame Euro Inspired by Bauhaus Lissitzky Inspired Poster PREIS LIST No. 2 Merz Magazine Cover by El Lissitzky El Lissitzky El Lissitzky “Chad Gadya” by El Lissitzky 75 Years Bauhaus Designs Deutschland Stamp Deutschland Stamp Deutschland Stamp Deutschland Stamp Deutchland Stamp Inspiration Bauhaus Style